O Public Road


Hello Friends,

Walt Whitman's "Song of the Open Road, IV" just oozes optimism — and a vastness, absorbing everything into its happiness that it can reach. It is an unmistakably American and unmistakably Whitman poem.

I hope you enjoy.
Ellen


Song of the Open Road, IV

The earth expanding right hand and left hand,
The picture alive, every part in its best light,
The music falling in where it is wanted, and stopping where it is not wanted,
The cheerful voice of the public road, the gay fresh sentiment of the road.

O highway I travel, do you say to me Do not leave me?
Do you say Venture not—if you leave me you are lost?
Do you say I am already prepared, I am well-beaten and undenied, adhere to me?

O public road, I say back I am not afraid to leave you, yet I love you,
You express me better than I can express myself,
You shall be more to me than my poem.

I think heroic deeds were all conceiv'd in the open air, and all free poems also,
I think I could stop here myself and do miracles,
I think whatever I shall meet on the road I shall like, and whoever beholds me shall like me,
I think whoever I see must be happy.

Walt Whitman was also featured for Poem-A-Day April 21, 2014.

Favorite Daughter


Hello Friends,

Today's poem is a spoken word piece by Imani Cezanne entitled "Flowers." I have included a transcript of the first lines below, but the piece is only properly taken in as an oral performance — so please watch it here.

The very origins of poetry are oral. Back before we wrote anything down, humans invented rhyme and meter for the purposes of making their words, their stories, easier to memorize, repeat, and pass from one person to another. In this sense, today's spoken word and rap are truer to poetry's origins than the written word.

Just some food for thought.
Ellen


Flowers

My mother tells me
I'm her favorite daughter.
Granted, I'm the only one.
But it makes me smile anyway.
The other day I
asked her what kind of flowers
she wants to be buried with.
Gardenias, she said.
White ones.
She isn't dying.
But I've spent my whole life
watching her eat herself
into the earliest grave
she can fit into.

This is only a brief excerpt. Please watch the rest of Imani Cezanne's piece here.

Feared Drowned

Feared Drowned

Suddenly nobody knows where you are,
your suit black as seaweed, your bearded
head slick as a seal's.

Somebody watches the kids. I walk down the
edge of the water, clutching the towel
like a widow's shawl around me.

None of the swimmers is just right.
Too short, too heavy, clean-shaven,
they rise out of the surf, the water
rushing down their shoulders.

Rocks stick out near shore like heads.
Kelp snakes in like a shed black suit
and I cannot find you.

My stomach begins to contract as if to
vomit salt water

when up the sand toward me comes
a man who looks very much like you,
his beard matted like beach grass, his suit
dark as a wet shell against his body.

Coming closer, he turns out
to be you — or nearly.
Once you lose someone it is never exactly
the same person who comes back.


Hello Friends,

Today's poem is by Sharon Olds, from her collection Satan Says (1980). Olds is a master of similes — those "like" or "as" comparisons you learned about in grade school. Olds has a seemingly endless supply of them — "slick as a seal's", "like a widow's shawl", "like heads", "like a shed black suit", "matted like beach grass", "dark as a wet shell." I love the universal experience Olds taps into in this poem — nearly everyone has experienced fearing they lost someone — and the bit of truth she reveals to us about those experiences, that our relationships are never quite the same afterward.

— Ellen

Fourth Circuit


Hello Friends,

Today's poem comes from a somewhat unexpected location: an order from the United States Court of Appeals Fourth Circuit filed yesterday, agreeing to vacate an injunction while Gavin Grimm's case proceeds. Gavin Grimm, as you may recall, is a young transgender man who just needs to be able to use the boys' bathroom at his high school. It must be National Poetry Month, because Senior Judge Davis invokes the work of the Palestinian-American poet Naomi Shihab Nye in the concurring opinion to the court order!

You can read the whole (short! worth a read!) court document as a PDF here; Nye's poem also appears below. Many thanks to Emilie Eagan for sharing this court doc and explaining it to me on Facebook!

Enjoy.
Ellen


Famous

The river is famous to the fish.

The loud voice is famous to silence,
which knew it would inherit the earth
before anybody said so.

The cat sleeping on the fence is famous to the birds
watching him from the birdhouse.

The tear is famous, briefly, to the cheek.

The idea you carry close to your bosom
is famous to your bosom.

The boot is famous to the earth,
more famous than the dress shoe,
which is famous only to floors.

The bent photograph is famous to the one who carries it
and not at all famous to the one who is pictured.

I want to be famous to shuffling men
who smile while crossing streets,
sticky children in grocery lines,
famous as the one who smiled back.

I want to be famous in the way a pulley is famous,
or a buttonhole, not because it did anything spectacular,
but because it never forgot what it could do.

Poet Naomi Shihab Nye was also featured for Poem-A-Day April 29, 2016, Poem-A-Day April 17, 2015, and Poem-A-Day April 2, 2014.

Put A Ring On It


Hello Friends,

Was Beyoncé's "Single Ladies" inspired by A.E. Stallings's "With no ring on her finger / You cannot hope to hold her" — which appeared in the April 2004 issue of Poetry Magazine? We may never know. But what I can tell you is that this poetic form — where the 2nd and 4th line of one stanza become the 1st and 3rd line of the next stanza — is called a pantoum.

I hope you enjoy.
Ellen


Another Lullaby for Insomniacs

Sleep, she will not linger:
She turns her moon-cold shoulder.
With no ring on her finger,
You cannot hope to hold her.

She turns her moon-cold shoulder
And tosses off the cover.
You cannot hope to hold her:
She has another lover.

She tosses off the cover
And lays the darkness bare.
She has another lover.
Her heart is otherwhere.

She lays the darkness bare.
You slowly realize
Her heart is otherwhere.
There's distance in her eyes.

You slowly realize
That she will never linger,
With distance in her eyes
And no ring on her finger.

Hungry Gorge

A Divine Image

Cruelty has a Human Heart
And Jealousy a Human Face
Terror the Human Form Divine
And Secrecy, the Human Dress

The Human Dress, is forged Iron
The Human Form, a fiery Forge.
The Human Face, a Furnace seal'd
The Human Heart, its hungry Gorge.


Hello Friends,

William Blake grapples with what it means for humans to be made in God's image in several of his works in Songs of Experience (1794). I am particularly struck in this poem that poets have been comparing the human heart to a gorge for hundreds of years.

I hope you enjoy.
Ellen

Clifton Street


Hello Friends,

I've been in bed sick for a couple of days, but yesterday I finally ventured out to the pharmacy for medicine. On my bus ride back, sunlight glinted off the sign for Clifton Street just so — so today we're doing a Lucille Clifton poem. It's not that time of the month, but Clifton wrote enough poems on this topic I'm pretty sure she'd be happy to have us reading them anytime.

Enjoy.
Ellen


poem in praise of menstruation

if there is a river
more beautiful than this
bright as the blood
red edge of the moon          if

there is a river
more faithful than this
returning each month
to the same delta          if there

is a river
braver than this
coming and coming in a surge
of passion, of pain          if there is

a river
more ancient than this
daughter of eve
mother of cain and of
abel          if there is in

the universe such a river          if
there is some where water
more powerful than this wild
water
pray that it flows also
through animals
beautiful and faithful and ancient
and female and brave

Audre Our Lorde


Hello Friends,

Yesterday, we got Mark O'Brien's take on what it means to be able to breathe. Today's poem is another take on being able to breathe — and the miracle of survival that is every black queer woman's life. Thinking about the Black Lives Matter movement, sadly the imprint of fear Audre Lorde writes about resonates just as keenly today as it did forty years ago. Lorde is often quoted for saying, "Your silence will not protect you," and this poem is also another take on that theme.

Enjoy.
Ellen


A Litany for Survival

For those of us who live at the shoreline
standing upon the constant edges of decision
crucial and alone
for those of us who cannot indulge
the passing dreams of choice
who love in doorways coming and going
in the hours between dawns
looking inward and outward
at once before and after
seeking a now that can breed
futures
like bread in our children's mouths
so their dreams will not reflect
the death of ours;

For those of us
who were imprinted with fear
like a faint line in the center of our foreheads
learning to be afraid with our mother's milk
for by this weapon
this illusion of some safety to be found
the heavy-footed hoped to silence us
For all of us
this instant and this triumph
We were never meant to survive.

And when the sun rises we are afraid
it might not remain
when the sun sets we are afraid
it might not rise in the morning
when our stomachs are full we are afraid
of indigestion
when our stomachs are empty we are afraid
we may never eat again
when we are loved we are afraid
love will vanish
when we are alone we are afraid
love will never return
and when we speak we are afraid
our words will not be heard
nor welcomed
but when we are silent
we are still afraid

So it is better to speak
remembering
we were never meant to survive.

"A Litany for Survival" appears in Audre Lorde's 1977 collection The Black Unicorn.

Supporting the weight of condors


Hello Friends,

One of the wonderful things about poetry is that it can quickly and intensely give us glimpses into what it's like to be someone who grew up differently than we did, who thinks differently than we do, or who even breathes differently than we do.

Today's poem by Mark O'Brien is from his collection The Man in the Iron Lung (1997).

I hope you enjoy.
Ellen

P.S. A stevedore is someone who unloads cargo from ships — a dockworker or a longshoreman.


Breathing

Grasping for straws is easier;
You can see the straws.
"This most excellent canopy, the air, look you,"
Presses down upon me
At fifteen pounds per square inch,
A dense, heavy, blue-glowing ocean,
Supporting the weight of condors
That swim its churning currents.
All I get is a thin stream of it,
A finger's width of the rope that ties me to life
As I labor like a stevedore to keep the connection.
Water wouldn't be so circumspect;
Water would crash in like a drunken sailor,
But air is prissy and genteel,
Teasing me with its nearness and pervading immensity.
The vast, circumambient atmosphere
Allows me but ninety cubic centimeters
Of its billions of gallons and miles of sky.
I inhale it anyway,
Knowing that it will hurt
In the weary ends of my crumpled paper bag lungs.

what’s underneath


Hello Friends,

If when you go caving, you start to wonder what it is like to be a cave, and then you put it into words, then you are probably a poet.

One of the things I love best about today's poem from Ada Limón is that it ends with a beginning that could be the beginning of so many things — a cave, a mountain, a journey, a game, a test, a poetry month.

I hope you enjoy.
Ellen


Notes on the Below

—For Mammoth Cave National Park

Humongous cavern, tell me, wet limestone, sandstone caprock,
          bat-wing, sightless translucent cave shrimp,

this endless plummet into more of the unknown,
                    how one keeps secrets for so long.

All my life, I've lived above the ground,
          car wheels over paved roads, roots breaking through concrete,
and still I've not understood the reel of this life's purpose.

Not so much living, but hovering without sense.

What's it like to be always night? No moon, but a few lit up
          circles at your many openings. Endless dark, still time
must enter you. Like a train, like a green river?

Tell me what it is to be the thing rooted in shadow.
          To be the thing not touched by light (no that's not it)
to not even need the light? I envy; I envy that.

Desire is a tricky thing, the boiling of the body's wants,
          more praise, more hands holding the knives away.

I've been the one who has craved and craved until I could not see
          beyond my own greed. There's a whole nation of us.

To forgive myself, I point to the earth as witness.

To you, your Frozen Niagara, your Fat Man's Misery,
          you with your 400 miles of interlocking caves that lead
only to more of you, tell me,

what it is to be quiet, and yet still breathing.

          Ruler of the Underlying, let me
speak to both the dead and the living as you do. Speak
to the ruined earth, the stalactites, the eastern small-footed bat,

to honor this: the length of days. To speak to the core
          that creates and swallows, to speak not always to what's
shouting, but to what's underneath asking for nothing.

I am at the mouth of the cave. I am willing to crawl.

Ada Limón's "Notes on the Below" was featured for Poets.org Poem-a-Day series on November 29, 2016. Ada Limón was also featured for Meet Me in 811's Poem-A-Day April 7, 2016.