Behold this compost!


Hello Friends,

Today's Earth Day poem is both piercing in its innocence — written before plastics and cars, when the worst thing Whitman could imagine we were putting in the ground was dead bodies — and at the same time eerily prescient in its predictions of humans' attitude toward the Earth, anticipating that Earth "grows such sweet things out of such corruptions" and "gives such divine materials to men, and accepts such leavings from them at last."

In terms of the focus on dead bodies, I thought this was a post-Civil War poem but it turns out that an earlier draft called "Poem of Wonder at The Resurrection of the Wheat" pre-dates the Civil War. Whitman was just very interested in chemistry, the endless recycling of material, every atom belonging to you as good belonging to me. When he re-titled this piece "This Compost" it may be a nod to "composition" — in the sense that all poems are also an endless recycling of words, used by other poets in other poems, etc. Whitman himself would recycle the image "the lilacs bloom in the dooryards" from this poem in his later famous elegy to Abraham Lincoln, "When Lilacs Last in the Dooryard Bloom'd."

Enjoy.
Ellen


This Compost

1

Something startles me where I thought I was safest,
I withdraw from the still woods I loved,
I will not go now on the pastures to walk,
I will not strip the clothes from my body to meet my lover the sea,
I will not touch my flesh to the earth as to other flesh to renew me.

O how can it be that the ground itself does not sicken?
How can you be alive you growths of spring?
How can you furnish health you blood of herbs, roots, orchards, grain?
Are they not continually putting distemper’d corpses within you?
Is not every continent work’d over and over with sour dead?

Where have you disposed of their carcasses?
Those drunkards and gluttons of so many generations?
Where have you drawn off all the foul liquid and meat?
I do not see any of it upon you to-day, or perhaps I am deceiv’d,
I will run a furrow with my plough, I will press my spade through
the sod and turn it up underneath,
I am sure I shall expose some of the foul meat.

2

Behold this compost! behold it well!
Perhaps every mite has one form’d part of a sick person—yet behold!
The grass of spring covers the prairies,
The bean bursts noiselessly through the mould in the garden,
The delicate spear of the onion pierces upward,
The apple-buds cluster together on the apple-branches,
The resurrection of the wheat appears with pale visage out of its graves,
The tinge awakes over the willow-tree and the mulberry-tree,
The he-birds carol mornings and evenings while the she-birds sit on their nests,
The young of poultry break through the hatch’d eggs,
The new-born of animals appear, the calf is dropt from the cow, the colt from the mare,
Out of its little hill faithfully rises the potato’s dark green leaves,
Out of its hill rises the yellow maize-stalk, the lilacs bloom in the dooryards,
The summer growth is innocent and disdainful above all those strata of sour dead.

What chemistry!
That the winds are really not infectious,
That this is not cheat, this transparent green-wash of the sea which is so amorous after me,
That it is safe to allow it to lick my naked body all over with its tongues,
That it will not endanger me with the fevers that have deposited themselves in it,
That all is clean forever and forever,
That the cool drink from the well tastes so good,
That blackberries are so flavorous and juicy,
That the fruits of the apple-orchard and the orange-orchard, that melons, grapes, peaches, plums will
none of them poison me,
That when I recline on the grass I do not catch any disease,
Though probably every spear of grass rises out of what was once a catching disease.

Now I am terrified at the Earth, it is that calm and patient,
It grows such sweet things out of such corruptions,
It turns harmless and stainless on its axis, with such endless successions of diseas’d corpses,
It distills such exquisite winds out of such infused fetor,
It renews with such unwitting looks its prodigal, annual sumptuous crops,
It gives such divine materials to men, and accepts such leavings from them at last.

Walt Whitman (1819-1892) was also featured for Meet Me in 811's Poem-A-Day April 12, 2017 as subject matter and as poet in Poem-A-Day April 11, 2017 and Poem-A-Day April 21, 2014.

under the bed


Hello Friends,

We're going to follow up yesterday's poem by Walt Whitman with a contemporary poem about Walt Whitman — written by my teacher, Rick Barot, and featured in Best American Poetry 2016. That same man who spread his arms wide to take in all the open road also cowered under a bed in fear for his life.

— Ellen


Whitman, 1841

I don't know if he did or did not touch the boy.
But that boy told a brother or a father or a friend,
who told someone in a tavern, or told someone

about it while the men hauled in the nets of fish
from the Sound. Or maybe it was told to someone
on the street, a group of men talking outside

the village schoolhouse, where he was the teacher.
What was whispered about him brought everyone
to church that Sunday, where the preacher roared

his name and the pews cleared out to find him.
He was twenty-one, thought of himself as an exile.
He was boarding with the boy and his family.

The boy was a boy in that schoolroom he hated.
Not finding him in the first house, they found him
in another and dragged him from under the bed

where he had been hiding. He was led outside.
And they took the tar they used for their boats,
and they broke some pillows for their feathers,

and the biography talks about those winter months
when there was not a trace of him, until the trail
of letters, articles, stories, and poems started

up again, showing he was back in the big city.
He was done teaching. That was one part
of himself completed, though the self would never

be final, the way his one book of poems would
never stop taking everything into itself. The look
of the streets and the buildings. The look of men

and women. The names of ferry boats and trains.
The name of the village, which was Southold.
The name of the preacher, which was Smith.

Poet Rick Barot was also featured for Poem-A-Day April 11, 2016, Poem-A-Day April 9, 2015, Poem-A-Day April 7, 2008, and Poem-A-Day April 19, 2007.

O Public Road


Hello Friends,

Walt Whitman's "Song of the Open Road, IV" just oozes optimism — and a vastness, absorbing everything into its happiness that it can reach. It is an unmistakably American and unmistakably Whitman poem.

I hope you enjoy.
Ellen


Song of the Open Road, IV

The earth expanding right hand and left hand,
The picture alive, every part in its best light,
The music falling in where it is wanted, and stopping where it is not wanted,
The cheerful voice of the public road, the gay fresh sentiment of the road.

O highway I travel, do you say to me Do not leave me?
Do you say Venture not—if you leave me you are lost?
Do you say I am already prepared, I am well-beaten and undenied, adhere to me?

O public road, I say back I am not afraid to leave you, yet I love you,
You express me better than I can express myself,
You shall be more to me than my poem.

I think heroic deeds were all conceiv'd in the open air, and all free poems also,
I think I could stop here myself and do miracles,
I think whatever I shall meet on the road I shall like, and whoever beholds me shall like me,
I think whoever I see must be happy.

Walt Whitman was also featured for Poem-A-Day April 21, 2014.

Poem-a-Day April 21: Singing Whitman

Hello Friends,

You have all heard Walt Whitman’s poetry — but only a lucky few of you have had the opportunity to hear him like this. The extraordinary Daniel Redman has given us a new way to receive Whitman’s words, by setting the poems of Leaves of Grass to song. As the Poetry Foundation describes it, “His performances blend the tradition of ecstatic music and Jewish prayer with the lilting, loping music of America’s passionate bard, an oddly resonant combination.”

Hear for yourself. If you listen long enough, Daniel will even connect Whitman to Whitney via The Wiz. He’s that good.

Enjoy.
Ellen


To thee old cause!
Thou peerless, passionate, good cause,
Thou stern, remorseless, sweet idea,
Deathless throughout the ages, races, lands,
After a strange sad war, great war for thee,
(I think all war through time was really fought, and ever will be
really fought, for thee,)
These chants for thee, the eternal march of thee.

(A war O soldiers not for itself alone,
Far, far more stood silently waiting behind, now to advance in this book.)

Thou orb of many orbs!
Thou seething principle! thou well-kept, latent germ! thou centre!
Around the idea of thee the war revolving,
With all its angry and vehement play of causes,
(With vast results to come for thrice a thousand years,)
These recitatives for thee,—my book and the war are one,
Merged in its spirit I and mine, as the contest hinged on thee,
As a wheel on its axis turns, this book unwitting to itself,
Around the idea of thee.


Excerpted from Leaves of Grass (1871) by Walt Whitman

Click here for a little more historical context on the political slogan “good old cause.”