angel of the ordinary house

Hello Friends,
To honor Earth Day today, I have for you a poem by Dorianne Laux that is both gross and gorgeous — and that’s exactly the point of it. (Just maybe don’t read it over lunch.)
Enjoy.
Ellen


Life is Beautiful

          and remote, and useful,
if only to itself. Take the fly, angel
of the ordinary house, laying its bright
eggs on the trash, pressing each jewel out
delicately along a crust of buttered toast.
Bagged, the whole mess travels to the nearest
dump where other flies have gathered, singing
over stained newsprint and reeking
fruit. Rapt on air they execute an intricate
ballet above the clashing pirouettes
of heavy machinery. They hum with life.
While inside rumpled sacks pure white
maggots writhe and spiral from a rip,
a tear-shaped hole that drools and drips
a living froth onto the buried earth.
The warm days pass, gulls scree and pitch,
rats manage the crevices, feral cats abandon
their litters for a morsel of torn fur, stranded
dogs roam open fields, sniff the fragrant edges,
a tossed lacework of bones and shredded flesh.
And the maggots tumble at the center, ripening,
husks membrane-thin, embryos darkening
and shifting within, wings curled and wet,
the open air pungent and ready to receive them
in their fecund iridescence. And so, of our homely hosts,
a bag of jewels is born again into the world. Come, lost
children of the sun-drenched kitchen, your parents
soundly sleep along the windowsill, content,
wings at rest, nestled in against the warm glass.
Everywhere the good life oozes from the useless
waste we make when we create—our streets teem
with human young, rafts of pigeons streaming
over the squirrel-burdened trees. If there is
a purpose, maybe there are too many of us
to see it, though we can, from a distance,
hear the dull thrum of generation’s industry,
feel its fleshly wheel churn the fire inside us, pushing
the world forward toward its ragged edge, rushing
like a swollen river into multitude and rank disorder.
Such abundance. We are gorged, engorging, and gorgeous.

pocket poems!

Hello Friends,

It’s one of my favorite days of the year — Poem in Your Pocket Day! Today is the perfect day to stand on a street corner and pass out poems to passers-by. They will mostly think you’re trying to sell them something at first, but you’ll find many are quite delighted to realize you’re giving them a poem. I’ve made a PDF of some pocket-sized poems for you to download and print, so you too can pass out poems to your friends, neighbors, co-workers, or on your nearest street corner.

Also, for the first-time ever on Poem in Your Pocket Day: I have something special for you this year, which is a poem actually about a pocket!

Enjoy.
Ellen


poem I wrote sitting across the table from you

if I had two nickels to rub together
I would rub them together

like a kid rubs sticks together
until friction made combustion

and they burned
a hole in my pocket

into which I would put my hand
and then my arm

and eventually my whole self—
I would fold myself

into the hole in my pocket and disappear
into the pocket of myself, or at least my pants

but before I did
like some ancient star

I’d grab your hand

— Kevin Varrone

what the birds say

Hello Friends,
C. Dale Young began yesterday’s poem-a-day “I love. Wouldn’t we all like to start / a poem with ‘I love…’?” A couple of centuries earlier, the poet Samuel Taylor Coleridge (1772 – 1834) proposed there are creatures who sing exactly that poem.
Enjoy.
Ellen


Answer to a Child’s Question

Do you ask what the birds say? The Sparrow, the Dove,
The Linnet and Thrush say, “I love and I love!”
In the winter they’re silent—the wind is so strong;
What it says, I don’t know, but it sings a loud song.
But green leaves, and blossoms, and sunny warm weather,
And singing, and loving—all come back together.
But the Lark is so brimful of gladness and love,
The green fields below him, the blue sky above,
That he sings, and he sings; and for ever sings he—
“I love my Love, and my Love loves me!”

bubbles, chandeliers, dandelions

The Bridge

I love. Wouldn’t we all like to start
a poem with “I love…”? I would.
I mean, I love the fact there are parallel lines
in the word “parallel,” love how

words sometimes mirror what they mean.
I love mirrors and that stupid tale
about Narcissus. I suppose
there is some Narcissism in that.

You know, Narcissism, what you
remind me to avoid almost all the time.
Yeah, I love Narcissism. I do.
But what I really love is ice cream.

Remember how I told you
no amount of ice cream can survive
a week in my freezer. You didn’t believe me,
did you? No, you didn’t. But you know now

how true that is. I love
that you know my Achilles heel
is none other than ice cream—
so chilly, so common.

And I love fountain pens. I mean
I just love them. Cleaning them,
filling them with ink, fills me
with a kind of joy, even if joy

is so 1950. I know, no one talks about
joy anymore. It is even more taboo
than love. And so, of course, I love joy.
I love the way joy sounds as it exits

your mouth. You know, the word joy.
How joyous is that. It makes me think
of bubbles, chandeliers, dandelions.
I love the way the mind runs

that pathway from bubbles to dandelions.
Yes, I love a lot. And right here,
walking down this street,
I love the way we make

a bridge, a suspension bridge
—almost as beautiful as the
Golden Gate Bridge—swaying
as we walk hand in hand.

— C. Dale Young, Torn (2011)

Nina’s Blues

Nina’s Blues

Your body, hard vowels
In a soft dress, is still.

What you can’t know
Is that after you died
All the black poets
In New York City
Took a deep breath,
And breathed you out;
Dark corners of small clubs,
The silence you left twitching

On the floors of the gigs
You turned your back on,
The balled-up fists of notes
Flung, angry from a keyboard.

You won’t be able to hear us
Try to etch what rose
Off your eyes, from your throat.

Out you bleed, not as sweet, or sweaty,
Through our dark fingertips.
We drum rest
We drum thank you
We drum stay.

Cornelius Eady’s eulogy for Nina Simone, who passed away in 2003, can be found in his 2008 collection Hardheaded Weather: New and Selected Poems.

One twentieth of a mile an hour

Painted Turtle

Summer road the ring around the lake, we drove mostly in silence.

Why aren’t I your wife?

You swerved around a turtle sunning itself.

I wanted to go back. To hold the hot disc of it and place it in the grass.

We were late for dinner.

One twentieth of a mile an hour, I said. Claws in tar. You turned the car around.

Traffic from the direction of the turtle, and you saw before I did, the fifty bones of the carapace,

crushed roman dome, the surprise of red blood.

I couldn’t help crying, couldn’t keep anything from harm.

I’m sorry, you said, and let it hurt.

The relief, always, of you in the seat beside me, you’ll never know.

Driving the road next winter, you remembered that place in the road. Your turtle.

During hibernation, a turtle’s heart beats once for every ten minutes.

It cannot voluntarily open its eyes.

— Gretchen Marquette, from the March 2016 issue of Poetry magazine

Pantoum

Station

Days you are sick, we get dressed slow,
find our hats, and ride the train.
We pass a junkyard and the bay,
then a dark tunnel, then a dark tunnel.

You lose your hat. I find it. The train
sighs open at Burlingame,
past dark tons of scrap and water.
I carry you down the black steps.

Burlingame is the size of joy:
a race past bakeries, gold rings
in open black cases. I don’t care
who sees my crooked smile

or what erases it, past the bakery,
when you tire. We ride the blades again
beside the crooked bay. You smile.
I hold you like a hole holds light.

We wear our hats and ride the knives.
They cannot fix you. They try and try.
Tunnel! Into the dark open we go.
Days you are sick, we get dressed slow.

Hello Friends,

Today’s poem by Maria Hummel is an example of a pantoum, a poetic form of Malaysian origin in which the second and fourth lines of each stanza become the first and third lines of the next stanza. As in this example, the last line of a pantoum is often the same as the first.

I hope you’re enjoying poetry month!

— Ellen

Take over the drone

Twelve-Hour Shifts

A drone pilot works a twelve-hour shift, then goes home
to real life. Showers, eats supper, plays video games.
Twelve hours later he comes back, high-fives, takes over the drone

from other pilots, who watch Homeland, do dishes, hope they don’t
dream in all screens, bad kills, all slo-mo freeze-frame.
A drone pilot works a twelve-hour shift, then goes home.

A small room, a pilot’s chair, the mic and headphones
crowd his mind, take him somewhere else. Another day
another dollar: hover and shift, twelve hours over strangers’ homes.

Stop by the store, its Muzak, pick up the Cheerios,
get to the gym if you’re lucky. Get back to your babies, play
Barbies, play blocks. Twelve hours later, come back. Take over the drone.

Smell of burned coffee in the lounge, the shifting kill zone.
Last-minute abort mission, and the major who forgets your name.
A drone pilot works a twelve-hour shift, then goes home.

It’s done in our names, but we don’t have to know. Our own
lives, shifts, hours, bounced off screens all day.
A drone pilot works a twelve-hour shift, then goes home;
fresh from twelve hours off, another comes in, takes over our drone.

Hello Friends,

Today’s poem by Jill McDonough is the best example of a villanelle I’ve seen in years. The villanelle’s repetitive nature perfectly suits the subject matter of a drone pilot’s routine; and the restraint of such strict form, the understatement of it, perfectly captures the gravity of “It’s done in our names, but we don’t have to know.” You can read more about villanelles here.

I hope you’re enjoying poetry month!

— Ellen

Failing and Flying

Hello Friends,
More than any other poem this month, if I could just believe in this one poem by Jack Gilbert, I think I would be better off. Maybe you would be too.
— Ellen


Failing and Flying

Everyone forgets that Icarus also flew.
It’s the same when love comes to an end,
or the marriage fails and people say
they knew it was a mistake, that everybody
said it would never work. That she was
old enough to know better. But anything
worth doing is worth doing badly.
Like being there by that summer ocean
on the other side of the island while
love was fading out of her, the stars
burning so extravagantly those nights that
anyone could tell you they would never last.
Every morning she was asleep in my bed
like a visitation, the gentleness in her
like antelope standing in the dawn mist.
Each afternoon I watched her coming back
through the hot stony field after swimming,
the sea light behind her and the huge sky
on the other side of that. Listened to her
while we ate lunch. How can they say
the marriage failed? Like the people who
came back from Provence (when it was Provence)
and said it was pretty but the food was greasy.
I believe Icarus was not failing as he fell,
but just coming to the end of his triumph.